These guidelines are provided to help those businesses on a low budget to get started with in-situ Wall Product Photography, without the need of a professional photographer. However, it does not remove the need for professional photography as the more polished and, by extension, the more professional the photography, the better the professional image and the greater the sales potential.
Think composition! A simple, uncluttered setting. A long, contemporary sofa against a bare, plain wall, a contemporary, lit lampshade on one side, resting on a simple coffee table, the wall product somewhere above the sofa, away from the lamp for balance. Try a couple of layouts and work out what works best with what you have. If no wall, create one. A very large wood panel or thick cardboard, covered in material or wall paper, placed behind the sit.
Think neutral colours! The wall in white, ivory, beige, pastels or light colours such as green but watch the strength. The sofa must contrast: black, dark brown... Choose two colours and work with them throughout your photograph, varying the shades of each colours.
Think light! A large window behind you would be ideal but not a south facing one if sunny as the sun might throw some strong contrast on the scene. Closing the curtains would introduce colour cast and remove the light which would be killers. Best would be in a conservatory as light would also come from the translucent roof.
Think control! If too much light, remove some. Use net curtains in single or multiple layers to filter strong light (strong light creates strong shadows and strong contrast). Use black curtains to remove light. If you do not have enough light flowing into the room, add some by creating a large white panel (the same was as for creating a wall) or a large mirror and angle it in front of a window or inside the room, next to the window to bounce more light back into the room. Mirrors should always bounce back on the ceiling. Control the amount of bounced light by varying the angle of the reflector: tilt forward or backward but also right or left.
You MUST have enough space to be able to take the whole sofa, including feet, the coffee table and the wall products and leave a small margin all around the whole scene, for eye comfort.
You MUST NOT use the flash as this will overpower the ambient light and flatten the scene, i.e. no shadows, unless you can put the flash on the side.
You CAN improve the overall look by adding a side light, outside the photograph, to provide a small shadow to the side for that all important 3D effect. So, if your lamp is on the left, then a window or a strong white light, a DIY work light for example, to the right are both ideal as they allow you to see the shadows before you take the photograph.
Beware of your shadow!
Finally, remember:
There is nothing wrong with using the same setting for all your wall product photography but bear in mind that it looks less professional and it is less interesting for the customer.
You can simplify your efforts by taking just one really good photograph of your setting and use the inexpensive Photoshop Elements software to cut, resize and superimpose your new designs into the photograph while also varying the colours of the room, without ever having to take another in-situ photograph, but you will have to make sure that the lighting is the same and in the same strength. |